What makes a girl butch




















They were pushed to the margins. While butches among gay men are often seen as desirable, they were also viewed with suspicion as hiding their gay identities. Butch has been connected to trans identities, and some who identified as butch women went on to identify as trans men or transmasculine. That same year, butch visibility got even louder when butch singer k. The s made way for more mainstream butch visibility. Ellen DeGeneres debuted her talk show after coming out on her sitcom less than a decade before.

With sneakers and blazers, she was the quintessential soft butch. The hit Netflix show Orange Is The New Black introduced a hard butch in that was and is perhaps the first of her kind on screen. As a hilarious and sexual character, she defies stereotypes. Get the best of what's queer. Just a few years ago, in publications from The Advocate to Slate , others lamented the lack of butch representation. While lesbian characters were more common — and less likely to be psychopathic murderers, as they were in movies like Basic Instinct or Bound — they were still, usually, conventionally feminine.

That's a reason to celebrate. Butch is a complicated term, and a fraught one; there are plenty of tweet storms , Reddit discussions and scholarly works debating what it means and who can claim it.

If portrayed at all, they were often depicted as silly sidekicks, punchlines, or criminals, and almost always paired with femme women. But not on these new butch-centric shows. Twenties , Feel Good and Work in Progress share some commonalities. They have a metronome of romance pulsing through. In the first episode alone, she accidentally kills her therapist, professes to be suicidal, plays charades, and makes a date with a much younger trans man.

She is a lovable mess, whom audiences root for and relate to. Lena Waithe is in her 30s, but tried to get Twenties made since, well, she was in her 20s. Hattie — kinetic, wiry and short-haired, looking fine in button-downs and tight jeans — is both confident and vulnerable, ambitious and afraid, striving and self-sabotaging, as she navigates love and life and work in a city that simultaneously eats her up and romances her. In the first episode, Hattie and her friends debate supporting a mediocre TV show created by a black woman.

She presented in male clothing and occupied male spaces afforded to her by her wealth and social standing. They were, to varying degrees, afforded the same rights and standing as men within certain male-dominated cultures, occupying leadership positions, owning land, amassing wealth and taking wives of their own. For some this meant adopting male clothing, mannerisms and titles.

As a black African woman, my butchness used to be something restrictive, and it further compounded the complex elements of my identity that were created by moving from an African to a Western society. As a masculine presenting person, this was a misinformed method of holding on to my history and traditions. I believed I had to be dominant, resilient, reserved, stoic, and muted, perpetuating ideas around African machismo appropriated from the male figures around me who themselves had a fraught relationship with their own masculinity.

I had a damaging understanding of what masculinity was, which led me to reject anything feminine because I associated it with weakness, fragility and being docile - all things I perceived as negative.



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